Tobacco History:
The Social History of Smoking
by George Latimer Apperson
First published in 1914
"The Social History of Smoking" by George Latimer Apperson, can be purchased at Amazon.com in two different versions. Depending on the quality of the edition, prices range between $35 and $104.
All-virtuous Herbert! on whose every part Truth might spend all her voice, fame all her art!— was a smoker, as we know from a very curious passage in his well-known autobiography. He appears to have smoked not so much for pleasure as for supposed reasons of health. "It is well known," he wrote, "to those that wait in my chamber, that the shirts, waistcoats, and other garments I wear next my body, are sweet, beyond what either can easily be believed, or hath been observed in any else, which sweetness also was found to be in my breath above others, before I used to take tobacco, which towards my latter time I was forced to take against certain rheums and catarrhs that trouble me, which yet did not taint my breath for any long time." The autobiography was written about 1645, so as Lord Herbert did not smoke till towards the latter part of his life—he died in 1648—he clearly was not one of those who took to tobacco in the first enthusiasm for the new indulgence.
From Chapter 8: Says the Pipe to the Snuff-box, I can't understand What the ladies and gentlemen see in your face, That you are in fashion all over the land, And I am so much fallen into disgrace. - William Cowper. (From a letter to the Rev. John Newton, May 28, 1782.)
"smoking has gone out," said Johnson in talk at St. Andrews, one day in 1773. "To be sure," he continued, "it is a shocking thing, blowing smoke out of our mouths into other people's mouths, eyes and noses, and having the same thing done to us; yet I cannot account why a thing which requires so little exertion, and yet preserves the mind from total vacuity, should have gone out." Johnson did not trouble himself to think of how much the vagaries of fashion account for stranger vicissitudes in manners and customs than the rise and fall of the smoking-habit; nor did he probably foresee how slowly but surely the taste for smoking, even in the circles most influenced by fashion, would revive. Boswell tells us that although the sage himself never smoked, yet he had a high opinion of the practice as a sedative influence; and Hawkins heard him say on one occasion that insanity had grown more frequent since smoking had gone out of fashion, which shows that even Johnson could fall a victim to the post hoc propter hoc fallacy.
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From Chapter 9: The fashionable dislike of tobacco-smoke appears in the pages of another descriptive writer—the once well known N.P. Willis, the American author of many books of travel and gossip. In his "Pencillings by the Way," writing in July 1833, Willis describes the prevalence of smoking in Vienna among all the nationalities that thronged that cosmopolitan capital. "It is," he says, "like a fancy ball. Hungarians, Poles, Croats, Wallachians, Jews, Moldavians, Greeks, Turks, all dressed in their national and stinking costumes, promenade up and down, smoking all, and none exciting the slightest observation. Every third window is a pipe-shop, and they [presumably the pipes] show, by their splendour and variety, the expensiveness of the passion. Some of them are marked '200 dollars.' The streets reek with tobacco-smoke. You never catch a breath of untainted air within the Glacis. Your hotel, your café, your coach, your friend, are all redolent of the same disgusting odour." In the following year, describing a large dinner-party at the Duke of Gordon's in Scotland, Willis says that when the ladies left the table, the gentlemen closed up and "conversation assumed a merrier cast," then "coffee and liqueurs were brought in, when the wines began to be circulated more slowly," and at eleven o'clock there was a general move to the drawing-room. The dinner began at seven, so the guests had been four hours at table; but smoking is not mentioned, and it is quite certain from Willis's silence on the subject—the "disgusting odour" would surely have disturbed him—that no single member of the large dinner-party dreamed of smoking, or, at all events, attempted to smoke.
From Chapter 13: The scene is a tavern interior. Around the table are four men and a woman, while a boy approaches carrying two huge measures of ale. One man is smoking furiously, while on the table lie three other pipes—one for each man—and sundry pots and glasses. The woman is plainly a convivial soul; but there is no pipe for her, and such provision was no doubt unusual.
T here is direct evidence, too, besides the story in the first paragraph of this chapter, that women disliked the prevalence of smoking. In Marston's "Antonio and Mellinda," 1602, Rosaline, when asked by her uncle when she will marry, makes the spirited reply—"Faith, kind uncle, when men abandon jealousy, forsake taking of tobacco, and cease to wear their beards so rudely long. Oh, to have a husband with a mouth continually smoking, with a bush of furs on the ridge of his chin, readie still to flop into his foaming chops, 'tis more than most intolerable;" and similar indications of dislike to smoking could be quoted from other plays. On the other hand, it is certain that from comparatively early in the seventeenth century there were to be found here and there women who smoked.
On the title-page of Middleton's comedy, "The Roaring Girle," 1611, is a picture of the heroine, Moll Cutpurse, in man's apparel, smoking a pipe, from which a great cloud of smoke is issuing.
